tag:blogger.com,1999:blog-1489622848939498705.post7964300167928615680..comments2024-03-18T17:34:56.486-04:00Comments on Four-Color Shadows: He Hides in the Tower-Bernie Krigstein-1956Bookstevehttp://www.blogger.com/profile/09797445163866512849noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-1489622848939498705.post-4938542186225315332014-06-06T01:07:38.366-04:002014-06-06T01:07:38.366-04:00A more interesting example of Krigstein's art ...A more interesting example of Krigstein's art overpowering a bad story is found in Dell's two "87th Precinct" comic books from '62, which were also his last work in comics. Great stuff with marvelous layouts.R.A.M.'67https://www.blogger.com/profile/12817535165296807817noreply@blogger.comtag:blogger.com,1999:blog-1489622848939498705.post-55023342147558511752014-06-05T17:36:53.770-04:002014-06-05T17:36:53.770-04:00It may be a misleading truth that Krigstein's ...It may be a misleading truth that Krigstein's reputation is based almost solely on “Master Race”. Without that remarkable work seizing so much attention, more might instead be given to some of Krigstein's other efforts. Had “Master Race” somehow never appeared, perhaps the earlier “Pipe Dream” or somesuch would be reproduced and discussed more often. Krigstein's reputation would then be a bit weaker, but might still be strong.<br /><br />The above piece, however, wouldn't contribute much. As to the panels, I think that he wanted them to echo the tower.Daniel [oeconomist.com]https://www.blogger.com/profile/06763094285750736837noreply@blogger.com